Fire and Rain: The Beatles, Simon and Garfunkel, James Taylor, CSNY, and the Lost Story of 1970 by David Browne

My rating: 5 of 5 stars


Fire and Rain is a great book on a pivotal year in rock music, 1970. The subtitle is The Beatles, Simon and Garfunkel, James Taylor, CSNY and the Lost Story of 1970. It not only covers the aforementioned musicians and, in most cases, the disintegration of the groups, but also the political climate of the times. In many ways it is a "lost story" or, at best, an often overlooked story of that year. We tend to forget or, maybe, try to forget, the bombings by radicals and the campus unrest and shootings.

This book dovetailed nicely with two other books I've read recently. It was like a sequel to Michael Walker's Laurel Canyon, picking up right where that book ends and being about many of the same musicians. It also covered the accidental bombing of a Fifth Avenue brownstone by the Weathermen that was part of the history of Greenwich Village by John Straugsbaugh, The Village: 400 Years of Beats and Bohemians, Radicals and Rogues, which I'd read just three weeks ago.



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This Summer's Drink of Choice: The Moscow Mule

Last summer it was the Tom Collins, a refreshing summer drink, but this summer I've moved on to the equally refreshing Moscow Mule. As you can see by these ads from the 60's, featuring Woody Allen (left) and Robert Morse (right), lately of Mad Men fame, that the Mule was served traditionally in frosty copper mugs.

The recipe is simple: Just remember 1-2-3. 1 part Rose's Lime Juice, 2 parts vodka, and 3 parts ginger beer.

In an attempt to revive the popularity of vodka in the late 1950s, manufacturers were thinking of creative ways to overcome the stigma of a liquor long associated with communist Russia. In the midst of the cold war and the space race, Americans were shunning vodka and sales, although never as high as whisky in this country, were slumping. It wasn't until the mid-60s and the advent, and help, of James Bond, who order vodka martinis "shaken, not stirred" in the Bond movies that started in 1963 that sales started to revive.

The Village: 400 Years of Beats and Bohemians, Radicals and Rogues by John Strausbaugh

My rating: 5 of 5 stars


One of the better books of New York history I've read in a few years. It's actually the second book I've read in the past year about a specific neighborhood, the first being Laurel Canyon, another interesting read.

Although the books covers a lot of ground, it does give short shrift to some interesting aspects of Greenwich Village history, most notably the Off-Off Broadway shows Three Penny Opera and The Fastasticks, which had a profound impact on, not only New York, but the rest of the country. There is only a mention of the cast of Three Penny Opera and nothing of the music.

The paragraph on the Fantasticks was a complete missed opportunity. Not only was the name misspelled--without the "k"--which could have been the result of over-zealous editing--but it only got slightly more attention than Three Penny Opera. Strausbaugh mentions one song, "Try to Remember," in addition to the cast and the fact that it was the longest running show in New York History.

He neglects to mention the fact that the show itself was a victim of 9/11, with the line "Try to remember the kind of September when life was slow and oh, so mellow," which New Yorkers and its few visitors in the aftermath found to poignant a reminder of the city before the disaster. To mention that would have helped fill another void in the book, that of the impact of the 9/11 tragedy on the neighborhood. It gets less attention than Robert Moses' attempt to run an expressway through it.

To a non-New Yorker these things might seem trivial, but the majority of his readership will likely be New Yorkers. But, since its strengths far outweigh it weaknesses, I'll still give it five stars.



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The Dice Man by Luke Rhinehart

My rating: 3 of 5 stars


This is one of those cult books that was in my TBR pile for decades. The Dice Man is part Been Down So Long It Looks Up to Me and part Naked Lunch. This was my second attempt at reading it, the first being in the mid-90s when I saw a pile of copies in a bookstore with a sign that read, "This book will change your life . . ." I thought, boy I should really get around to reading it if people are still so enthusiastic about 20 years later. I could only get about 80 pages into it. This time I stuck out and it paid off--a little--a little more than I expected, at least. But it did take me a month to plow through it.

It's an interesting premise--a psychiatrist who decides to add randomness to his life by assigning the options for every decision in his life to numbers on a die and then casting the die and allowing it to dictate which option to choose. He then starts to treat his patients with his dice therapy to some spectacular success but, mostly, to dismal failure. But the dice therapy idea catches on and becomes a cult, a kind of religion, eventually becoming a national phenomenon, despite being discredited by leading authorities.

The novel is a bit dated, written as it was in 1971, but does accurately reflect the time period of the book, specifically, August 1968 to April 1971, when the world seemed obsessed with finding new ways of living and elevating spiritual awareness though drugs or different religions. The Dice Man is essentially a satire of the time.



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The Lustful Ape by Russell Gray (Bruno Fischer)

My rating: 4 of 5 stars


This was the only book, to my knowledge, that was published as both a Lion and Gold Medal paperback. It was published as by Russell Gray with Lion and under his real name, Bruno Fischer, with Gold Medal.

Good early 50s PBO. You always get your money's worth with Fischer. Although his books are seldom great, they are never bad. I know that sounds like I'm damning him with faint praise, but let me assure you he's always an enjoyable read, but I wouldn't necessarily recommend him to somebody who doesn't normally read 50s pulp.



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The Expendable Man by Dorothy B. Hughes

My rating: 4 of 5 stars


I've always wanted to read a book by Dorothy Hughes. I'm not sure why I started with her last book, The Expendable Man (1962), except for the fact that it has been recently republished.

If her last book is any indication of her oeuvre, her work is similar in quality and style to Patricia Highsmith's.

I was floored by the revelation that comes a third of the way through the book. She so skillfully manipulates the narrative that, if you're not paying close attention, you'll get blindsided.

I would have given this five stars if there had been a little more drama and action, which the story could have easily have had.



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Wild by Gil Brewer

My rating: 4 of 5 stars


This has all the right ingredients for a good hardboiled read--not just one femme fatale, but two, two sisters no less. There's lots of gun play, the protagonist getting clubbed in the head, beat up, hacked-up corpses, sex in the back of cars and rye whisky. And this was written in 1958.

I would actually give it three and a half stars if I could, rather than four. The downside of the novel is that it really doesn't have a strong plot and not all that well-written. I suspect that Brewer was drunk while writing it and tried to let the story write itself.

Favorite line: "A Slow wind came in across Tampa Bay, like the hot breath of an eager woman."



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Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever by Will Hermes

My rating: 4 of 5 stars


A really good survey of five years (1973-77) of the New York music scene that changed the music world. Two related aspects struck me as I read Love Goes to Buildings on Fire, which borrows its title from the Talking Heads song of that name. The first was how diverse the music scene was in the 1970s and the second was how knowledgeable the author, Will Hermes, is about all the types of music he surveys in the book, i.e., punk, Latin, disco, experimental, etc. Only a writer who truly loves music can write informatively about all genres. There's a lot in here about Patti Smith, The Talking Heads, The Ramones and Bruce Springsteen all told in a breezy, but lucid style.



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